Noir Dame Blog

Retro-inspired culture and media – audio drama, classic TV and film

Revised: Due to Norman Corwin’s express request, the inaugural event in Burbank, CA was cancelled; Corwin, however, will still be the first recipient of the award, but would like to focus more attention on the many worthy non-profit arts organizations and creators, some of whom are having difficulty with funding in the present climate. I have kept the rest of the post intact in order to maintain continuity, but also so that those readers who do not know Corwin may get up to speed with his amazing body of work.

Do you know who Norman Corwin is? If you consider yourself a fan of audio drama, old time radio, classic film, 20th century history – or just plain good writing, Norman Corwin is one person you’ll enjoy learning more about.

Corwin has been called “the Poet Laureate of Radio,” and today is the right time for us to help codify this title for our children and grandchildren. If you’ve been following the news about CBS and Jack Benny, you know that even when a beloved artist has brought great prestige and a wide audience to a network, future generations may not have the chance to know about their talent, unless we keep the flame alive.

And what a flame…!

A former journalist, Corwin began writing for the CBS Radio Network in the late 1930s. The Corwin name on a piece quickly came to signify quality, thoughtfulness and passion, raising radio drama and the spoken word to new heights.

In particular, his pieces “We Hold These Truths”, (written to honor the U.S. Bill of Rights, and airing days after the Pearl Harbor attack) and “On a Note of Triumph” (a piece created in the wake of victory in the European theatre), provided hope to an American audience that suffered, like the rest of the world, through long years of war, deprivation and sorrow. These pieces radiated a deeply felt patriotism that neither took victory for granted, nor underestimated its costs, and were widely heard and loved by the public. For these works alone, Norman Corwin would be ranked as an American treasure.

But that, of course, was not it. In wartime, Corwin didn’t neglect our nearest and dearest ally, either, developing “An American in England,” making sure we understood what the British were enduring. And after the war ended, Corwin continued flexing his pen, and stretching the limits of his talents. “The Undecided Molecule,” for instance, dared to ask about the future, in a world that now had the atomic bomb – with darting humor. Or how about “Hollywood Fights Back,” (created with the help of many illustrious stars who were nonetheless risking their careers), which pushed back against an overzealous HUAC, an organization not only searching for genuine “fifth column” communists, but apparently willing to destroy the lives and careers of people who merely seemed “subversive”.

Corwin wrote over 100 audio dramas, books, and feature films… so many for us to treasure today. And not just “back then,” but also in recent times, with NPR commissioning new plays.

Corwin gave gravitas … class… to audio drama and the spoken, broadcast word.

So I’m happy to say that, with his 100th birthday coming up, as he continues as a visiting professor at the University of Southern California, there are plans to give something back to Norman Corwin, and you can help.

The National Audio Theatre Festival will be giving Norman Corwin an inaugural award that will henceforth wear his name – the Norman Corwin Award for Excellence in Audio Theatre – on April 30th, at 7 pm, in the Falcon Theatre in Burbank, California. And NATF, a not for profit 501 (c)(3) organization, needs our help in getting a matching grant of $10,000 for this event. (See above notice).

So, too, do dedicated fans, audio dramatists and filmmakers need your help, in convincing the government to honor Corwin with the Congressional Gold Medal and the Presidential Medal of Freedom. Find out how you can help here. (See above notice).

New to radio drama? Want to know more about Norman Corwin?

• Check out this NPR documentary from 1995, hosted by the late Charles Kuralt, and also featuring “On a Note of Triumph” as a full broadcast.
• Read R. LeRoy Bannerman’s “Norman Corwin and Radio: The Golden Years” online.
• And check out the many videos here, on the “Corwin Channel”.

So, once you’re done listening to our holiday rarity playlists on Youtube, what else can you dig that’s retro-fied for Christmas? Here’s a list of some of the great original and classic audio dramas, and retro swing and jazz shows, plus a wonderful classic ’60s pop documentary, airing on local stations. All stations stream off the web; all times local.

Northern California’s Northstate Public Radio will be playing “Hep to the Holidays”, groovy classic jazz, on Christmas Night.

Washington DC’s WAMU plays the “Retro Cocktail Hour Christmas Party” (lots of Christmas lounge!) at 2 pm Christmas Eve, and “The Big Broadcast: Christmas Eve” (OTR fun) starting at 8 pm also on Christmas Eve. On Christmas Day, listen to the Colonial Radio Christmas Special at 1 pm, followed by The Colonial Radio’s “A Christmas Carol” and Quicksilver Radio’s “The Blue Carbuncle” – a Sherlock Holmes Christmas tale – airing at 2 and 3 pm respectively, and then “Christmas Day Recollections” – more classic radio drama – at 8 pm. They also air “A Car Talk Christmas”. Not retro – unless you count the guys themselves – but still worth catching!

Indiana’s NIPR is playing Quicksilver’s “A Christmas Carol” at 6 pm Christmas Eve.

Kentucky’s WFPL is playing “A Christmas Gift for You,” the documentary story of the penultimate Christmas rock album of the ’60s, at noon on Christmas Day. Features a lot of insight into the 1963 winter creation – known as one of the best Christmas albums of all time – made with Darlene Love, Bob B. Soxx, the Ronettes and Crystals.

North Carolina’s WCQS airs “A 40s Radio Christmas” at 2 pm, “Hep to the Holidays” at 10 pm on Christmas Eve, and a “Retro Cocktail Hour Christmas” on 9 pm, Christmas Night.

Northern Michigan’s Public 90 is airing “The Retro Cocktail Hour Christmas” on Sunday the 27th, at 3 pm.

Oklahoma’s KGOU is airing “Hep to the Holidays” when the clock strikes midnight, Christmas Eve (12 AM). Christmas morning at 8:30, a “Car Talk Christmas Carol” will be airing; at 10 am catch the “Retro Cocktail Hour Christmas Hour”.

Virginia’s WHRV is airing “A Christmas Carol” at 12 noon on Christmas Day, followed by “One Silent Night,” Walter Cronkite’s narration of the Christmas armistice. At 3 pm, it airs “A Christmas Gift for You”.

Wyoming Public Radio airs “The Retro Cocktail Hour Christmas Party” at 12 noon on Christmas Eve.

Want to hear something right now? Check out SOMAFM’s streaming Christmas Lounge -mp3 feed here, pls (Windows Media) here. Don’t forget to donate!

Christmas music. Some people hate it, most of us love it, but we get tired of hearing the same fifteen songs being recorded and rerecorded by different artists and overplayed on the radio. So I went on a hunt. Thanks to the generosity of folks who have placed rare gems on the web, I’ve collected a stack of fun videos that are not the same fifteen songs about Christmas, New Year’s, and enjoying the winter holidays… not the ones typically played in the US (the UK and Ireland seem to rotate more of their music, so some of the tracks may be more familiar to anyone reading in those countries!) They’ve been assembled into playlists, so you can crank up the volume on your computer speakers, or play it on your phone. All in all, it’s well over two hours of music. Consider it just one of our presents back to you!

There are fifteen interesting tracks from the 1940s you may not know as well here, bookended by the Andrews Sisters, who sing both “Christmas Island” and the “Merry Christmas Polka”.

And here’s a list of lesser-known 1950s Christmas and other holiday tunes, such as Stan Freberg’s “Green Christmas,” Gracie Fields’ “Little Donkey,” Joni James’ “Nina Non,” Cathy and Elliot Lewis (of OTR / radio drama fame) wishing us “Happy Holidays”, and Louis Armstrong’s “Cool Yule”.

The tracks spanning the 1960s, and into 1970 proper, are a wide range of musical styles, and show a little of what was going on in the world then. Some tracks include The Marcels’ “Merry Twistmas,” Paul and Paula’s “Holiday Hootenanny”, Bing Crosby’s fun “Christmas Dinner Country Style”, Buck Owens’ “Santa Looked a Lot Like Daddy,” and yes, the Royal Guardsmen’s “Snoopy’s Christmas”. This last was a sequel to “Snoopy vs. the Red Baron,” and reflects the real-life Christmas armistice of World War I.

Then this grouping, of the 1970s and 1980s, which contains as just a smattering, Jethro Tull’s “Ring Out Solstice Bells,” David Essex’s “A Winter’s Tale”, Da Yooper’s “Rusty Chevrolet,” Jona Lewie’s “Stop the Cavalry”, Boney M’s “Zion’s Daughter”, Chris de Burgh’s “A Spaceman Came Travelling,” Merle Haggard’s “Santa Claus and Popcorn,” Sting’s “Gabriel’s Message,” “What Can You Get a Wookiee for Christmas”, and “Santa Claus Must Be Polish” by Bobby Vee. It also has one cheat: it ends with “Christmas Wrapping,” by the Waitresses. While it’s been covered by the Spice Girls and by the Donnas, it’s still an offbeat classic, and while it hits heavy rotation in some markets, others don’t play it so often. This is an interesting article that goes into the “how” of “Christmas Wrapping” – hosted on the songwriter’s website.

Shocking news today regarding Paul Newman’s death, after a battle with cancer. The Washington Post has written both an obituary as well as a lovely longer piece, as has the Associated Press. Newman was our most unusual movie star: a handsome leading man whose chops were better than many of the top character actors; a business leader who devoted time and energy giving back to charity, but without self-congratulations; a husband and father who, unlike the brief unions so common in Tinseltown, stayed married to Joanne Woodward for five decades. In short, you didn’t have to know him personally to know of his decency. May he rest in peace.

Among the casualties of Ike, as many retro fans know already, was the Balinese Room, a Galveston island institution that had survived Hurricanes Alicia and Carla, but could not withstand Ike, despite its “Category 2″ designation. It was one of the first things we learned about, after our mandatory evacuation to Dallas, and watching the chaos unfold on television. The Balinese, of course, had been home to Frank Sinatra and many “old school” performers over the years, and was rumored to be a fave of Sinatra’s tougher buddies. Later, it had inspired a song by ZZ Top and most recently sponsored live performances – funk, rock, though we held out hope for more traditional music. One thing for sure, it was a beautiful sight whenever we were in town.

Owner Scott Arnold says he is willing to entertain “serious” proposals from investors to rebuild at the site, but is more likely planning to create a themed-club and museum on Market Street, near the historic Strand, in a building he owns there. Even this is positive news – as the equally famed Hollywood Dinner Club never came back from Galveston’s past. Meanwhile, the Texas Historical Commission has people on site who are combing through the wreckage for anything they can salvage. If you have heard of someone who managed to take artifacts away from the debris, as a souvenir, please get in touch with Lori Schwarz at the City of Galveston, or contact Scott Arnold directly through the Balinese Room website.

Meanwhile, there’s more happy news regarding the historic hotel of Tremont House, which fortunately survived Ike with minimal flood damage, along with several other treasures of Galveston Island, like the Hotel Galvez, which was created after the 1900 storm (to learn more about the history of this event, we also highly recommend Isaac’s Storm.) Meanwhile, the Galveston Historic Foundation is accepting donations to help rebuild damage after the storm.

The Harbor House at Pier 21 received damage from high waters, which implies that the neighboring Pier 21 theater, which showed a dramatic reenactment of the 1900 Storm, as well as a movie about Galveston’s pirate past, also may have been damaged. Only Galveston residents have been allowed to return on a limited basis, and as of yet, we’ve heard nothing regarding other historic and retro-themed beauties in town – like the hot pink retro apartments across from the Bank of America on Market Street (between Frost Bank and the Galveston Historical Museum) and La King’s Confectionary, the ice cream shop with 1920s’ era fixtures and old-fashioned shelves for their candy. The confectionary is raised off the ground of the Strand, but it’s unclear from photos how high the flooding was in the area. A picture on Preservation Nation shows the Strand’s flooding, including at Colonel Bubbie’s army-navy surplus store.